Changes are made within the logic of looking for results in my work. There is always a need to take advantage of the options that turn up in the working process, and when they cannot be developed at the time I make a note of them in my book and they remain there so I can work on them later on in the future.
I see technologies – old and new – as an extension of my body. I use and profit of it whenever I can. My work as an artist doesn’t depend on it but tries to use it as another possible tool for creativity. Confronting traditional procedures with new technologies, mixing ways of making, discovering new fields of action, must be the purpose of any serious research. Transmission, access, manipulation must be as extensive as possible.