Zwischenraun / Intermediate space

Fumo e água que escorre entre os dedos

“Un antes siempre” (The ever-before)

a posição e o movimento

Desplazamientos / Desfasamentos

Fronteiras

Enquanto o espaço for

Estado de Imersão

Conversa – Obras de Pedro Calapez e Rui Sanches (colecção do MACE)

Guía de mundos posibles

Von Schwelle zu Schwelle

Deste espaço luminoso e obscuro

Estudos e Procedimentos

Perto da margem

Um estranho aqui cheguei

Seja dia ou seja noite pouco importa / Be it day or night, it matters not

Debaixo de cada cor

Uma espécie de corpo

Con una nube en el medio / With a cloud in between

Olhar indiscreto / Reckless Gaze

O meandro dos caminhos

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Double Nature

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TERRA / LAND

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Olhos nos olhos

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BOPEEP

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Lugares inóspitos / Uninhabitable places

Tração e compressão simples entre limites elásticos

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Ubiquitous Limits – Palma de Mallorca

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Estampa 2017 – Galeria Maior

Ubiquitous Limits – Polença

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A propósito de “Interferências” (para o Jorge)

Paths

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Arco 2017 – Galeria Mário Sequeira – stand 7E03

Configurações

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Calapez @ AENA magazine

“…Não apenas lugares de felicidade”

Luísa Soares de Oliveira – “à volta de um livro”

em volta de

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Portugal Tropical

Backstories – Mitsuo Miura, Pedro Calapez, Rui Sanches

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o segredo da sombra – works on paper 2012-2016

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Platform

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“Labirinto e Eco”

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Off Limits / espacio sin retorno

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Molded Space: building transparency

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Discussing surface depth

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Challenging landscape: measuring distance through the gaze

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Cut out : boundary limits

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Connect / Disconnect : the rules of puzzles

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Immerse in a painting : the accomplice spectator

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Bar codes

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The ultimate layer: painting behind

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Interior / Exterior : the unfinished building

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Grids : from detail to totality

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The endless line

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Nuvens lentas, 2013

On colour, 2012

O corpo faz-se corpo, 2012

escala de cor, 2009

ars combinatoria, 2008

Delfim Sardo, “Intervals, distances and likenesses”

J. C. A. Vidal, “The invisible paintings of Pedro Calapez”

Nomena Sruß, “a conversation-interview with Pedro Calapez”

Mariano Navarro, “Reason of the gaze”

Emília Ferreira, “the line and outline”

Emília Ferreira, “how wan-fo was saved”

J. C. A. Vidal, “on abstract, Pedro Calapez’s latest painting”

Miguel Amado, “the painter’s energetic action”

CV

Renewal

Memory banks

Inspirations

Spectator

Colour

Space

White

Landscape

In the kitchen

Venice

Evening

On a bicycle

Tide

Gazing inward

Lisbon

Aroma

At home

The full suitcase

The sea

Process

The right space

Living in Lisboa

Box of watercolours

Paint filled shoes

F.A.Q.

Left and right hand

Drawing versus painting

Being an artist

From the low valleys

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E não havia nada que não viesse do olhar

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Openspace

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Withhold on the retina (the mind’s eye)

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A quarta parede

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meadow-curtain-round-broken line

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Obra reciente

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O burel da cortina antepara o céu opaco

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Byte

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A olho nú

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Do pequeno espaço entre as coisas

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Contemplation shifts

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Branchings

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Criss Cross

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Fragmento

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Lameiros

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71 volt (magia eléctrica)

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Filipa Oliveira, curatorial text

Dark skies

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Barriers

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Gymnasium

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Transferência

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Suave paisagem

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kickflip

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Conversation Piece

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Trasfondo

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Desordem comum

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Building inner square

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Public school wall

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Descontinuidades

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Shape dialog

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Hotel Tivoli Victoria

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Mistérios do Rosário de Fátima

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Hotel Puerta America

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Quatro Estações

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Neve de Espinhos

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Ornamento Escondido

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J. S. Cardoso, “Life in the small space between things”

Expo’98 south gate entrance

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City Hall ceiling

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